Limited Edition Double White LP Box Set with 108 page Hardcover Libretto Book and CD.
Includes unlimited streaming of Alphabet of Wrongdoing
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 14 days
edition of 500
Purchasable with gift card
$135CADor more
Compact Disc (CD) + Digital Album
Limited Edition 108 page Hardcover Libretto Book with CD.
Includes unlimited streaming of Alphabet of Wrongdoing
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 10 days
edition of 200
Purchasable with gift card
$65CADor more
ALPHABET OF WRONGDOING - SPECIAL EDITION
WHAT YOU WILL RECEIVE IN THIS PACKAGE:
A personalized postcard from Daniela sent to you by USPS
Instant Download of the full Alphabet of Wrongdoing album in your preferred format
PDF of Alphabet of Wrongdoing 108 page full color libretto (emailed to you within three days of purchase)
Relentlessly good vibes
***PLEASE INCLUDE YOUR EMAIL AND MAILING ADDRESS WHEN YOU ORDER SO WE CAN SEND YOU THE LINK TO THE DIGITAL LIBRETTO AND THE POSTCARD***
This companion 108 page full-color ebook is a libretto, a roadmap to follow in sequence while listening to the album, or you can turn to any page, regarding each facet you encounter as a koan that can hopefully illuminate the more esoteric aspects of this work. This debut collection of poems and essays asks, Can we transmute a world’s weight of unforgivable acts, an Alphabet of Wrongdoing? Both the album and the book investigate communal gestures of forgiveness - attempts to "Restore dignity to existence through music…" (poet Alan Felsenthal)
Designers Brankica Harvey and Ken Deegan took an artful dive into the realm of typography to reveal the alphabet to us anew. The book also features stills from a video for All Our Departed, directed by Johnny Spence, filmed by Caitlin Woelfle-O’Brien, choreographed by Erin Poole, and performed by Erin Poole, Eric Cheng, and Daniela Gesundheit.
*You may also apply this purchase as a credit towards the double LP box set and hardcover book which will be out in 2021.
10% of proceeds will go to The Loveland Foundation. No one turned away for lack of funds. Send an email to hello@alphabetofwrongdoing.com for more information.
Excerpt from Alphabet of Wrongdoing Digital Libretto:
We have un-vowed, we have pounded our hearts open, we have prostrated ourselves on forest floors, pine needles pressing into our bellies, and we have fissured our hardened shells all to see if there is some shining, iridescent yolk of incorruptibility inside of us. From that place, where the shards of who we once were somehow fertilize the soil around us, a date palm begins to grow in rapid time-lapse. The summation of brokenness feeds the date palm, moves up its proud, upright trunk as sap, moves into its branches, first as blossoms and then as sweet endless fruit. Just glimpsing the palm sway we feel more whole, more alive: “fresh and full of sap.” This perpetual transmutation is justice.
Artwork, typography, and layout by Brankica Harvey and Ken Deegan
Cover photograph by Dawn Garcia
Edited by Kristen Bulger (English) and Dana Reginiano (Hebrew)
Fonts Flecha and Grifo designed by Rui Abreu of R-Typography
Booklet photographs by Caitlin Woelfle-O’Brien
The images are stills from a video for All Our Departed, directed by Johnny Spence, choreographed by Erin Poole, featuring Erin Poole, Daniela Gesundheit and Eric Cheng
Includes unlimited streaming of Alphabet of Wrongdoing
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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ships out within 7 days
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Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
HIGHLIGHTS: Autoharp haunting by Basia Bulat, Lost-soul saxophone by Jason Sharp, and eternal guitar by Dan Goldman. "Who shall have rest, and who can never be still?"
DESCRIPTION
“On Rosh Hashanah it is written, and on Yom Kippur it is sealed in the book of life — who shall live, and who shall die.” The ten days that transpire between the Jewish New Year and the Day of Atonement are of critical spiritual import. For these ten days the gates of forgiveness are open, and if we can examine our misdeeds earnestly enough, we might be inscribed in the book of life for another year.
The genre of “In the New Year” is horror. The text outlines the various literal ways that we might perish in the coming year. Hearing this prayer chanted in synagogue when I was young felt chillingly similar to the way I felt clicking through the 3D slides of Thriller in my Viewmaster; the anticipation of knowing that, with every shutter of advancement on the little red device, the close-up image of zombie Michael Jackson with the yellow cat eyes could be the next slide. The prayer is meant to instill a sense of dread and urgency, to haunt and unnerve us. It is a confrontational, thundering gore, a reminder that we are going to die, a prod to consider the architecture of our days and the fabric of our desire.
On Rosh Hashanah it is written, and on Yom Kippur it is sealed:
how many shall pass on and how many be created, who shall live and who shall die, who when their time comes and who before or after their time, who by fire and who by water, who by the sword and who by wild beasts, who by famine and who by drought, who by earthquake and who by epidemic, who by strangling and who by stoning; who shall have rest and who can never be still, who shall be serene and who torn apart, who shall be at ease and who afflicted, who shall be impoverished and who enriched, who shall be brought low and who raised high.
But teshuvah, tefillah, and tzedakah
repentance, prayer, and just action,
have the power to change
the character of our lives.
Produced by Daniela Gesundheit and Dan Misha Goldman
Performed by
Daniela Gesundheit voice, percussion
Dan Misha Goldman nylon string and electric guitars, synth, clavinet
Johnny Spence synth, piano, percussion
Basia Bulat autoharp
Sarah Pagé harp
Evan Cartwright percussion
Alex Lukashevsky voice, percussion
Sari Lightman voice
Romy Lightman voice
Jason Sharp bass and baritone saxophones
with string arrangements by Owen Pallett performed by the Macedonian Symphonic Orchestra (Oleg Kondratenko, conductor)
The melodies and texts herein are traditional, though the vocal embellishments and ornamentation are original. Many of the selections on this album adhere to a form of a refrain that has a set, congregational melody, and that alternates with verses that are improvised within the nusach or mode of the piece. The verses in these pieces are improvised.
The instrumental arrangements and production are original. Many of the pieces were re-harmonized by Dan Misha Goldman. Track twelve, Mi Chamocha, features a melody written by Rabbi Hanna Tiferet Siegel. www.HannaTiferet.com
Mixed by Steve Kaye at Sunking Studios in Los Angeles (Kol Nidre mixed by Dan Misha Goldman)
Recorded by Dan Misha Goldman in Montréal, Leon Taheny at Boombox studio in Toronto, Nicolas
Pétrowski at Mixart in Montréal, and Daniela Gesundheit in Los Angeles
Mastered by David Travers-Smith at found.sound
Artwork, typography, and layout by Brankica Harvey and Ken Deegan
Fonts Flecha and Grifo designed by Rui Abreu of R-Typography
Cover photograph by Dawn Garcia
Booklet photographs by Caitlin Woelfle-O’Brien. The images are stills from a video for All Our Departed, directed by Johnny Spence, choreographed by Erin Poole, featuring Erin Poole and Eric Cheng.
LP packaging printed at Precision Record Pressing in Burlington, ON Canada. Book printed at Conti Tipocolor in Calenzano, Italy.
All included Hebrew texts are traditional, and edited by Dana Reginiano; all English translations and English translation excerpts are by Rabbi Richard N. Levy z”l, from his volume of High Holiday liturgy, On Wings of Awe, courtesy of B’nai Brith Hillel Foundations. All other English passages are by Daniela Gesundheit, edited by Kristen Bulger.
This album was recorded on the traditional territories of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee, and the Wendat people, and on the unceded lands of The Kanien’kehá:ka Nation and the Gabrielino/Tongva people.
Alphabet of Wrongdoing was recorded with the assistance of a Canada Council for the Arts Concept to Realization Grant.
Daniela Gesundheit is a vocalist, composer, and cantor who lives in LA and
haunts Toronto. As Snowblink, Gesundheit writes non-denominational devotional pop music and has released three critically acclaimed albums.
"Daniela’s voice is like clear glass that she frames a kind of playful, velvet privacy with. The sounds are sparse but so rich and carefully wild." Leslie Feist...more
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