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Our Father Our King - Avinu Malkeinu

from Alphabet of Wrongdoing by Daniela Gesundheit

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  • Record/Vinyl + Digital Album

    Limited Edition Double White LP Box Set with 108 page Hardcover Libretto Book and CD.

    Includes unlimited streaming of Alphabet of Wrongdoing via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    Limited Edition 108 page Hardcover Libretto Book with CD.

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  • ALPHABET OF WRONGDOING - SPECIAL EDITION

    WHAT YOU WILL RECEIVE IN THIS PACKAGE:
    A personalized postcard from Daniela sent to you by USPS
    Instant Download of the full Alphabet of Wrongdoing album in your preferred format
    PDF of Alphabet of Wrongdoing 108 page full color libretto (emailed to you within three days of purchase)
    Relentlessly good vibes

    ***PLEASE INCLUDE YOUR EMAIL AND MAILING ADDRESS WHEN YOU ORDER SO WE CAN SEND YOU THE LINK TO THE DIGITAL LIBRETTO AND THE POSTCARD***


    This companion 108 page full-color ebook is a libretto, a roadmap to follow in sequence while listening to the album, or you can turn to any page, regarding each facet you encounter as a koan that can hopefully illuminate the more esoteric aspects of this work. This debut collection of poems and essays asks, Can we transmute a world’s weight of unforgivable acts, an Alphabet of Wrongdoing? Both the album and the book investigate communal gestures of forgiveness - attempts to "Restore dignity to existence through music…" (poet Alan Felsenthal)

    Designers Brankica Harvey and Ken Deegan took an artful dive into the realm of typography to reveal the alphabet to us anew. The book also features stills from a video for All Our Departed, directed by Johnny Spence, filmed by Caitlin Woelfle-O’Brien, choreographed by Erin Poole, and performed by Erin Poole, Eric Cheng, and Daniela Gesundheit.

    *You may also apply this purchase as a credit towards the double LP box set and hardcover book which will be out in 2021.

    10% of proceeds will go to The Loveland Foundation. No one turned away for lack of funds. Send an email to hello@alphabetofwrongdoing.com for more information.

    Excerpt from Alphabet of Wrongdoing Digital Libretto:

    We have un-vowed, we have pounded our hearts open, we have prostrated ourselves on forest floors, pine needles pressing into our bellies, and we have fissured our hardened shells all to see if there is some shining, iridescent yolk of incorruptibility inside of us. From that place, where the shards of who we once were somehow fertilize the soil around us, a date palm begins to grow in rapid time-lapse. The summation of brokenness feeds the date palm, moves up its proud, upright trunk as sap, moves into its branches, first as blossoms and then as sweet endless fruit. Just glimpsing the palm sway we feel more whole, more alive: “fresh and full of sap.” This perpetual transmutation is justice.



    Artwork, typography, and layout by Brankica Harvey and Ken Deegan
    Cover photograph by Dawn Garcia
    Edited by Kristen Bulger (English) and Dana Reginiano (Hebrew)
    Fonts Flecha and Grifo designed by Rui Abreu of R-Typography
    Booklet photographs by Caitlin Woelfle-O’Brien
    The images are stills from a video for All Our Departed, directed by Johnny Spence, choreographed by Erin Poole, featuring Erin Poole, Daniela Gesundheit and Eric Cheng

    Includes unlimited streaming of Alphabet of Wrongdoing via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

Our Father, Our King / Avinu Malkeinu אבינו מלכנו

HIGHLIGHTS :
String arrangement by Owen Pallett performed by the Macedonian Symphonic Orchestra (Oleg Kondratenko, conductor), Alex Lukashevsky-the-Ancient's voice in minyan, Johnny Spence's disintegration synth, Jason Sharp's weeping saxophone, Dan Misha Goldman's eternal guitar. "The touch of forces …"

DESCRIPTION:
Avinu Malkeinu is kind of the patriarchal anthem in the Jewish canon. A choir of atoning congregants stands together to address God as “Our Father, Our King” while petitioning ‘Him’ for various protections and favors. In the progression of the liturgy, this prayer seems to give voice to the toddler mind of atonement. It portrays a worldview wherein we must rely on a punitive FatherGod to bring us everything we seek, and all that we are empowered to do is tremble before Him with prayers on our lips.

There is, thankfully, an evolution of understanding of the mechanics of atonement as we make our way through the prayers in this collection. Later in the album, God takes on attributes of a “womb-gentle father.” And most importantly, we see the text start to reflect an understanding that to petition a supernatural entity to fulfill our wishlist of earthly desires is to miss the mark. The act of tefillah (often translated to prayer, but which more specifically means self-evaluation) helps us turn inward again and again, encountering and re-encountering the concentric circles of our individual and collective psyches. We no longer need to beseech a FatherGod for what we want because we can transform ourselves into people of integrity.

As my musical collaborators and I set out to render Avinu Malkeinu, we noticed that the arrangement started to resemble a wrestling match. There are moments of aggression, exhaustion, submission, and return. Throughout the prayer, I continually wield my voice like a glacier — slow, effectual patience — against the staid mountains of patriarchal lineage. Some of the instruments in the piece behave as aggressors and some are a sonic balm. There is no clear victor.

lyrics

אָבִֽינוּ מַלְכֵּֽנוּ חָנֵּֽנוּ וַעֲנֵֽנוּ כִּי אֵין בָּֽנוּ מַעֲשִׂים עֲשֵׂה עִמָּֽנוּ צְדָקָה וָחֶֽסֶד וְהוֹשִׁיעֵֽנוּ:
אָבִֽינוּ מַלְכֵּֽנוּ חָטָֽאנוּ לְפָנֶֽיךָ
אָבִֽינוּ מַלְכֵּֽנוּ אֵין לָֽנוּ מֶֽלֶךְ אֶלָּא אָֽתָּה
אָבִֽינוּ מַלְכֵּֽנוּ חַדֵּשׁ עָלֵֽינוּ שָׁנָה טוֹבָה
אָבִֽינוּ מַלְכֵּֽנוּ הָפֵר עֲצַת אוֹיְבֵֽינוּ
אָבִֽינוּ מַלְכֵּֽנוּ כַּלֵּה דֶּֽבֶר וְחֶֽרֶב וְרָעָב וּשְׁבִי וּמַשְׁחִית וְעָו‍ֹן מִבְּנֵי בְרִיתֶֽךָ
אָבִֽינוּ מַלְכֵּֽנוּ סְלַח וּמְחַל לְכָל עֲו‍ֹנוֹתֵֽינוּ
אָבִֽינוּ מַלְכֵּֽנוּ הַחֲזִירֵֽנוּ בִּתְשׁוּבָה שְׁלֵמָה לְפָנֶֽיךָ
אָבִֽינוּ מַלְכֵּֽנוּ שְׁלַח רְפוּאָה שְׁלֵמָה לְחוֹלֵי עַמֶּֽךָ
אָבִֽינוּ מַלְכֵּֽנוּ כָּתְבֵֽנוּ בְּסֵֽפֶר חַיִּים טוֹבִים
אָבִֽינוּ מַלְכֵּֽנוּ כָּתְבֵֽנוּ בְּסֵֽפֶר פַּרְנָסָה וְכַלְכָּלָה
אָבִֽינוּ מַלְכֵּֽנוּ כָּתְבֵֽנוּ בְּסֵֽפֶר זְכֻיּוֹת
אָבִֽינוּ מַלְכֵּֽנוּ כָּתְבֵֽנוּ בְּסֵֽפֶר סְלִיחָה וּמְחִילָה
אָבִֽינוּ מַלְכֵּֽנוּ חֲמוֹל עָלֵֽינוּ וְעַל עוֹלָלֵֽינוּ וְטַפֵּֽנוּ
אָבִֽינוּ מַלְכֵּֽנוּ פְּתַח שַׁעֲרֵי שָׁמַֽיִם לִתְפִלָּתֵֽנוּ
אָבִֽינוּ מַלְכֵּֽנוּ עֲשֵׂה לְמַֽעַן בָּאֵי בָאֵשׁ וּבַמַּֽיִם עַל קִדּוּשׁ שְׁמֶֽךָ


Our Father, Our King —
We have done wrong before You.
Let this be a good year for us.
Destroy the power of every oppressor.
Remove from all Your children disease, war, famine, exile, and destruction.
Forgive and pardon all our wrong-doing.
May we return to You in earnest repentance.
Send complete healing to all who are sick.
Inscribe us in Your book for a life of goodness.
Inscribe us in the book of sustenance.
Inscribe us in the book of meritorious acts.
Inscribe us in the book of forgiveness and reconciliation.
Show mercy to us and our children.
Open the gates of heaven to our prayer.
Do it for the sake of those who went through fire and water to honor Your name.
Be gracious and respond to us, for we have too few good deeds; act towards us with justice tempered by love, and redeem us.

credits

from Alphabet of Wrongdoing, released September 22, 2020
Alphabet of Wrongdoing 

by Daniela Gesundheit

18 tracks, run time 47:14 

Produced by Daniela Gesundheit and Dan Misha Goldman

Performed by 
Daniela Gesundheit voice, percussion
Dan Misha Goldman nylon string and electric guitars, synth, clavinet
Johnny Spence synth, piano, percussion
Basia Bulat autoharp
Sarah Pagé harp 
Evan Cartwright percussion
Alex Lukashevsky voice, percussion
Sari Lightman voice
Romy Lightman voice
Jason Sharp bass and baritone saxophones
with string arrangements by Owen Pallett performed by the Macedonian Symphonic Orchestra (Oleg Kondratenko, conductor)

The melodies and texts herein are traditional, though the vocal embellishments and ornamentation are original. Many of the selections on this album adhere to a form of a refrain that has a set, congregational melody, and that alternates with verses that are improvised within the nusach or mode of the piece. The verses in these pieces are improvised. 

The instrumental arrangements and production are original. Many of the pieces were re-harmonized by Dan Misha Goldman. Track twelve, Mi Chamocha, features a melody written by Rabbi Hanna Tiferet Siegel.  www.HannaTiferet.com

Mixed by Steve Kaye at Sunking Studios in Los Angeles (Kol Nidre mixed by Dan Misha Goldman) 

Recorded by Dan Misha Goldman in Montréal, Leon Taheny at Boombox studio in Toronto, Nicolas 
Pétrowski at Mixart in Montréal, and Daniela Gesundheit in Los Angeles 

Mastered by David Travers-Smith at found.sound

Artwork, typography, and layout by Brankica Harvey and Ken Deegan

Fonts Flecha and Grifo designed by Rui Abreu of R-Typography

Cover photograph by Dawn Garcia

Booklet photographs by Caitlin Woelfle-O’Brien. The images are stills from a video for All Our Departed, directed by Johnny Spence, choreographed by Erin Poole, featuring Erin Poole and Eric Cheng.

LP packaging printed at Precision Record Pressing in Burlington, ON Canada. Book printed at Conti Tipocolor in Calenzano, Italy.

All included Hebrew texts are traditional, and edited by Dana Reginiano; all English translations and English translation excerpts are by Rabbi Richard N. Levy z”l, from his volume of High Holiday liturgy, On Wings of Awe, courtesy of B’nai Brith Hillel Foundations. All other English passages are by Daniela Gesundheit, edited by Kristen Bulger.

This album was recorded on the traditional territories of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee, and the Wendat people, and on the unceded lands of The Kanien’kehá:ka Nation and the Gabrielino/Tongva people. 

Alphabet of Wrongdoing was recorded with the assistance of a Canada Council for the Arts Concept to Realization Grant. 

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Daniela Gesundheit Los Angeles, California

@alphabetofwrongdoing

Daniela Gesundheit is a vocalist, composer, and cantor who lives in LA and haunts Toronto. As Snowblink, Gesundheit writes non-denominational devotional pop music and has released three critically acclaimed albums.

"Daniela’s voice is like clear glass that she frames a kind of playful, velvet privacy with. The sounds are sparse but so rich and carefully wild." Leslie Feist
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